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Awakened to the fact of her son’s existence and perhaps as an antidote to her unusual display of sentiment, Mrs. Wopp spoke rather sharply. “Moses, time you an’ Betty was in bed. You won’t want to git up in the mornin’ an’ milk the cows.” Later left alone in the lower part of the house she stood arms akimbo in the middle of the kitchen gazing at the door through which Nell Gordon had just departed. Shaking her head she said mysteriously, “I kalkerlate as how things is a-settin’ in that way.” Miss Gordon complied, then followed the old favorite with a two-step played in as sprightly a manner as the organ would allow. Bess arrived at last. A gorgeous affair was her chariot, the foundation being Mr. Prettyman’s spring wagon. Bess, with some borrowings, Charley’s help, and her own quick invention, had made a very good imitation of a circus wagon. Charley, the Strong Man, held the reins over old Dom Pedro, the horse she loved, that had once been a racer. She had discovered some very real looking, jointed snakes that wriggled and curved in a manner startlingly serpentine; while tremendous boa constrictors, cut from old circus posters, were disposed about the cage in alarmingly lifelike positions..
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At the close of the act, in the far, high distance, the Goddess, Flora, appeared on a hill-crest. This was Edith herself, arrayed in a filmy gown of pale green, garlanded with snow-drops and buttercups. High, far, and faint came her song of the dawn of Spring. But the gnomes and the elves, Storm, Wind, Frost, and Rain, roared and howled; and Flora, affrighted, fled from view. The pianist sat easily at the piano and began the Moskowski selection that had failed to create the expected furore in the afternoon. A cadenza that shivered down the spine like spray from a glacial torrent wakened the room. Then he plunged into the first theme. His small audience listened spell-bound. Betty’s eyes followed the fingers that leaped over the ivory keys like white flame. A subtle current began to play in the room. Steadily it grew in power. Magnetism to the nth degree was being generated. A tremendous chord brought the music to a close and the pianist to his feet. Something in Nell’s glance inspired him. He whirled about the room whistling and imitating some of the cadenzas and other passages from the selection just played. He gesticulated wildly with his hands, the passion for dramatic music oozing from his pores. “Oh, Mosey, she un’erstan’s everything, she’s jist wonderful.” Betty’s voice was positive. “We do be glad to hev the new schoolmarm,” she announced, “you might of mentioned her, in yer blessin’, Ebenezer.”.
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